{"id":2839,"date":"2020-03-15T00:43:06","date_gmt":"2020-03-14T21:43:06","guid":{"rendered":"http:\/\/lekolin.org\/ve-kafka-ile-steinbeck-kurtcede\/"},"modified":"2020-03-15T00:43:06","modified_gmt":"2020-03-14T21:43:06","slug":"ve-kafka-ile-steinbeck-kurtcede","status":"publish","type":"post","link":"https:\/\/lekolin.org\/ku\/ve-kafka-ile-steinbeck-kurtcede\/","title":{"rendered":"Ve Kafka \u0130le Steinbeck K\u00fcrt\u00e7e&#8217;de"},"content":{"rendered":"<p>01 Aral\u0131k 2010 \u00c7ar\u015famba Saat 08:32<\/p>\n<\/p>\n<div class=\"detail content_14\" id=\"text_detail\">\n<div class=\"newsImage\">\n<b>Diyarbak\u0131r\u2019da bulunan Lis Yay\u0131nevi taraf\u0131ndan iki y\u0131l \u00f6nce ba\u015flat\u0131lan 100 d\u00fcnya klasi\u011finin K\u00fcrt\u00e7eye kazand\u0131r\u0131lmas\u0131 projesi kapsam\u0131nda <\/b><\/p>\n<p>\t\t\t\t\t\t\t <img decoding=\"async\" src=\"http:\/\/lekolin.org\/wp-content\/uploads\/2020\/03\/910-1.jpg\">\n\t\t\t\t\t\t<\/div>\n<p>Diyarbak\u0131r\u2019da bulunan Lis Yay\u0131nevi taraf\u0131ndan iki y\u0131l \u00f6nce ba\u015flat\u0131lan 100 d\u00fcnya klasi\u011finin K\u00fcrt\u00e7eye kazand\u0131r\u0131lmas\u0131 projesi kapsam\u0131nda Franz Kafka ve John Steinbeck\u2019in eserleri K\u00fcrt\u00e7e\u2019ye kazand\u0131r\u0131ld\u0131<\/p>\n<p>K\u00fcrt\u00e7e kitap basan yay\u0131nevleri aras\u0131nda son y\u0131llarda yakalad\u0131\u011f\u0131 \u00e7\u0131ta ile ad\u0131ndan s\u00f6z ettiren Lis Yay\u0131nevi K\u00fcrt\u00e7e edebiyat ad\u0131na, 100 klasik eserin K\u00fcrt\u00e7e\u2019ye kazand\u0131r\u0131lmas\u0131 projesi kapsam\u0131nda Franz Kafka\u2019n\u0131n \u2018D\u00f6n\u00fc\u015f\u00fcm\u2019, John Steinbeck\u2019in \u2018Fareler ve \u0130nsanlar\u2019, Charles Lamb\u2019in Ulysses\u2019in Ser\u00fcvenleri, R. L. Stevenson\u2019\u0131n Define Adas\u0131 ve J. M. Coetzee\u2019nin \u2018Utan\u00e7\u2019 isimli eserleri art\u0131k K\u00fcrt\u00e7e.<\/p>\n<p>Lis\u2019ten \u00e7\u0131kan kitaplardan Kafka\u2019n\u0131n \u2018D\u00f6n\u00fc\u015f\u00fcm\u2019\u00fcn\u00fc, \u2018Veguher\u00een\u2019 ismiyle Almanca\u2019dan Fatih Ayd\u0131n, Charles Lamb\u2019in Ulysses\u2019in Ser\u00fcvenleri\u2019ni, \u2018Serp\u00eahatiy\u00ean Ulysses\u2019 olarak \u0130ngilizceden Sam\u00ee Hezil, John Steinbeck\u2019in \u2018Fareler ve \u0130nsanlar\u2019\u0131n\u0131 \u2018Mi\u015fk \u00fb Mirov\u2019 olarak \u0130ngilizceden Xalis Xerzan, L. Stevenson\u2019\u0131n \u2018Define Adas\u0131\u2019n\u0131 \u2018Girava Genc\u00eeney\u00ea\u2019 ismiyle \u0130ngilizceden Bilal \u00c7elik ve J. M. Coetzee\u2019nin Utan\u00e7\u2019\u0131n\u0131 ise \u2018Het\u00eeket\u00eeya J. M. Coetzee\u2019 ismiyle \u0130ngilizceden Yunus Ero\u011flu \u00fcstlendi. Tamam\u0131 gen\u00e7 \u00e7evirmenlerden olu\u015fan bu serinin edit\u00f6rl\u00fc\u011f\u00fcn\u00fc ise \u015eair-\u00c7evirmen Kawa Nemir \u00fcstlendi.<\/p>\n<p>K\u00fcrt yazarlar\u0131 ve \u015fairlerince yaz\u0131lan ve yarat\u0131lan eserlerin eski ve \u00e7a\u011fda\u015f d\u00fcnya klasiklerine olan ihtiyac\u0131n\u0131n aciliyeti do\u011frultusunda iki y\u0131l \u00f6nce harekete ge\u00e7en yay\u0131nevi, tamam\u0131 orijinal dillerinden K\u00fcrt\u00e7eye \u00e7evrilmek \u00fczere 100 klasikten olu\u015fan bir liste \u00e7\u0131karm\u0131\u015ft\u0131.<\/p>\n<p>Yay\u0131nevi bu kapsamda \u00c5sa Lind\u2019in \u2018Kumkurdu\u2019, Harry Martinson\u2019un \u2018Is\u0131rgan\u0131n \u00c7i\u00e7e\u011fe Durmas\u0131\u2019, Mikael Niemi\u2019nin \u2018Vittula\u2019dan Pop\u00fcler M\u00fczik\u2019i, Selma Lagerl\u00f6f\u2019\u00fcn \u2018Portekiz \u0130mparatoru\u2019nu ve Ya\u015far Kemal\u2019in Ya\u011fmurcuk Ku\u015fu\u2019nu yine Nemir edit\u00f6rl\u00fc\u011f\u00fcyle yay\u0131na haz\u0131rlayarak ilk ad\u0131m\u0131 atm\u0131\u015ft\u0131.<\/p>\n<p>SIRADA TOLSTOY, DOSTOYEVSK\u0130 VE MARQUEZ VAR<\/p>\n<p>William Shakespeare, Oscar Wilde, Joseph Conrad, Gabriel Garcia Marquez, William Faulkner, Dostoyevski, Tolstoy ve benzeri yazarlar\u0131n eserlerinin de yer ald\u0131\u011f\u0131 dizinin bir k\u0131sm\u0131n\u0131 yay\u0131nlayan Lis, dizini tamam\u0131n\u0131 5 y\u0131l i\u00e7erisinde tamamlamay\u0131 hedefliyor.<\/p>\n<p>Van Belediyesi, Kurd\u00ee-Der Wan ve Van E\u011fitim-Sen\u2019in deste\u011fiyle kitap\u00e7\u0131 raflar\u0131ndaki yerini alan 5 eserin bas\u0131m kalitesi, dizgi ve kapak tasar\u0131m\u0131 da dahil olmak \u00fczere tamamen \u00e7\u0131tas\u0131 y\u00fcksek bir kalitede bas\u0131lmas\u0131 ise K\u00fcrt\u00e7e yay\u0131nc\u0131l\u0131k ad\u0131na umut verici.<\/p>\n<p>Kitaplar\u0131n k\u0131sa \u00f6zetleri ise \u015fu \u015fekilde:<\/p>\n<p>* Serp\u00eahatiy\u00ean Ulysses  Ulysses adl\u0131 bir adam\u0131n ve onun mahvolmu\u015f yolda\u015flar\u0131n\u0131n anavatana d\u00f6n\u00fc\u015flerinin hik\u00e2yesi  g\u00f6z\u00fcn\u00fc daldan budaktan esirgemeyen, zorluk, eza ve cefan\u0131n her t\u00fcrl\u00fcs\u00fc i\u00e7inde bile bir \u00e7\u00f6z\u00fcm yolu bulabilen, insano\u011flunun edebiyat evreninde kurnazl\u0131\u011f\u0131n, zek\u00e2n\u0131n, maharetin, kararl\u0131l\u0131\u011f\u0131n ve sevginin, k\u0131sacas\u0131 insan olmaya dair bir\u00e7ok \u00f6zelli\u011fin sembol\u00fc Ulysses. Troya Sava\u015f\u0131\u2019ndan y\u0131llar sonra, tanr\u0131lar\u0131n buyru\u011fundaki azg\u0131n denizlerin, farkl\u0131 halklar\u0131n, yabani hayvanlar\u0131n, ilgin\u00e7 ve korkun\u00e7 yarat\u0131klar\u0131n ya\u015fad\u0131\u011f\u0131 uzak adalar\u0131n, b\u00fcy\u00fck y\u0131k\u0131mlar\u0131n ve felaketlerin aras\u0131ndan yurdu Ithaca\u2019ya, sad\u0131k kar\u0131s\u0131 Penelope\u2019a ve o\u011flu Telemachus\u2019a d\u00f6nebilmek i\u00e7in \u00e7abalayan bir adam\u0131n g\u00fc\u00e7l\u00fc arzusu. D\u00f6n\u00fc\u015f yolunda ya\u015fanan kavgalar, b\u00fcy\u00fck k\u0131r\u0131mlar, hayatlar\u0131n\u0131 kaybeden t\u00fcm yolda\u015flar ve en sonunda d\u00f6n\u00fc\u015f\u00fcyle sadece kral Ulysses\u2019in pay\u0131na d\u00fc\u015fen zafer. Ser\u00fcven boyunca okuyucunun sorusu \u015fudur: Anavatana d\u00f6nd\u00fc\u011f\u00fcnde, Ulysses\u2019i son olarak ne beklemektedir? Antik Yunan mitolojisine dayanan, 1808 y\u0131l\u0131nda Lamb\u2019in Homeros\u2019un Odyssey adl\u0131 destan\u0131ndan al\u0131p yeniden yazd\u0131\u011f\u0131 ve o zamandan bu yana insano\u011flunun edebiyat\u0131n\u0131n klasiklerinden olmu\u015f bir hik\u00e2yeler \u00e7emberi.<\/p>\n<p>* Veguher\u00een (Kafka)  \u201cBir sabah tedirgin d\u00fc\u015flerden uyanan Gregor Samsa bir b\u00f6ce\u011fe d\u00f6n\u00fc\u015fm\u00fc\u015f buldu kendini. Franz Kafka\u2019n\u0131n D\u00f6n\u00fc\u015f\u00fcm\u2019\u00fcn\u00fcn bu ilk c\u00fcmlesi, hakl\u0131 olarak denilebilir ki t\u00fcm edebi metinlerin ilk c\u00fcmleleri aras\u0131nda en \u00fcnl\u00fc ilk c\u00fcmlelerdendir. Yazar\u0131n kendisinin muhtemel ruh ikizi, Gregor Samsa ad\u0131ndaki bir pazarlamac\u0131, \u00e7al\u0131\u015fma kamplar\u0131na benzeyen \u00e7al\u0131\u015fma toplumunda bireyin yabanc\u0131la\u015fmas\u0131 imgesinin ete kemi\u011fe b\u00fcr\u00fcnm\u00fc\u015f halidir ve hem yo\u011fun, hem de ak\u0131\u015fkan bir kurgunun kap\u0131s\u0131n\u0131 a\u00e7an ve bireyin yabanc\u0131la\u015fmas\u0131n\u0131 ve k\u00f6leli\u011fini her bi\u00e7imde temsil eden bu ola\u011fan\u00fcst\u00fc imge, okuyucusunu yan\u0131tlanmas\u0131 zor o bir \u00e7ift sorunun pe\u015fine takar: \u0130nsan, b\u00f6cekle\u015fmesinin fark\u0131na varma yetene\u011fini kaybetmi\u015f canl\u0131 m\u0131d\u0131r? Ya da b\u00f6cek insan oldu\u011funun fark\u0131na varma yetene\u011fini kazanm\u0131\u015f canl\u0131 m\u0131d\u0131r? D\u00f6n\u00fc\u015f\u00fcm. \u0130nsanl\u0131\u011f\u0131n modern \u00f6yk\u00fcs\u00fcn\u00fcn ba\u015f ta\u00e7lar\u0131ndan ve \u2018t\u00fcm eserler\u2019i aras\u0131nda Franz Kafka\u2019n\u0131n g\u00f6zdesi. Bundan sonra K\u00fcrt\u00e7e de okunacak.<\/p>\n<p>* Girava Genc\u00eeney\u00ea (L. Stevenson)   \u0130sko\u00e7 yazar Robert Louis Stevenson\u2019\u0131n 1883 y\u0131l\u0131nda bas\u0131lm\u0131\u015f, tropik adalar, hazinelerin yerlerini g\u00f6steren haritalar, tek g\u00f6zleriyle ve kesik ellerinin yerine bileklerine koyduklar\u0131 kancalar\u0131yla korsanlar \u00fcst\u00fcne bildiklerimiz ve onlara dair kafam\u0131zdaki imgeler, yani bu \u015feyler hakk\u0131ndaki haf\u0131zam\u0131z, a\u011f\u0131rl\u0131kl\u0131 olarak bu klasikle\u015fmi\u015f macera roman\u0131 Define Adas\u0131\u2019na ve onun ard\u0131llar\u0131 olan birka\u00e7 esere dayanmaktad\u0131r. Her biri her bak\u0131mdan \u00f6l\u00fcms\u00fcz klasik romanlardan olan bu roman\u0131, bundan b\u00f6yle K\u00fcrt\u00e7enin okuru K\u00fcrt\u00e7e okuyabilecek.<\/p>\n<p>* Mi\u015fk \u00fb Mirov (Steinbeck)  Amerikal\u0131 b\u00fcy\u00fck yazar John Steinbeck\u2019in (1962 Nobel Edebiyat \u00d6d\u00fcl\u00fc) kendi tecr\u00fcbelerine dayanarak yazd\u0131\u011f\u0131 novel. George ile Lennie\u2019nin hik\u00e2yesi. Hayallerinin pe\u015finden giden iki bi\u00e7arenin hik\u00e2yesi. \u0130nsan\u0131n i\u00e7ine i\u015fleyen bir arkada\u015fl\u0131\u011f\u0131n hik\u00e2yesi. Yay\u0131nland\u0131\u011f\u0131 g\u00fcnden bu yana en \u00e7ok tart\u0131\u015f\u0131lan edeb\u00ee metinlerden olan, ger\u00e7ek bir klasik. Okuyucunun asla unutamayaca\u011f\u0131 bir hik\u00e2ye. Gen\u00e7 \u00e7evirmen Xalis Xerzan\u2019\u0131n K\u00fcrt\u00e7esiyle.-ANF<\/p>\n<p>Rawin \u0130smail Sterk<\/p>\n<p>K\u00fcrdistan Stratejik Ara\u015ft\u0131rmalar Merkezi<\/p>\n<p>www.navendalekolin.com &#8211; www.lekolin.org &#8211; www.lekolin.net \u2013 www.lekolin.info<\/p>\n<p>\t<!-- parveke begin --><\/p>\n<div>\n<div class=\"sharethis-inline-share-buttons\"><\/div>\n<p><!-- parveke END -->\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p><b>Diyarbak\u0131r\u2019da bulunan Lis Yay\u0131nevi taraf\u0131ndan iki y\u0131l \u00f6nce ba\u015flat\u0131lan 100 d\u00fcnya klasi\u011finin K\u00fcrt\u00e7eye kazand\u0131r\u0131lmas\u0131 projesi kapsam\u0131nda <\/b><\/p>\n","protected":false},"author":1,"featured_media":2840,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"jnews_post_split":[],"footnotes":""},"categories":[3],"tags":[32,31,36,33,30,35,34],"class_list":["post-2839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurdistan-tarihi-ve-dili","tag-arastirma","tag-kurdi","tag-kurdish","tag-kurdistan","tag-lekolin","tag-turkish","tag-turkiye"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/posts\/2839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/comments?post=2839"}],"version-history":[{"count":0,"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/posts\/2839\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/media\/2840"}],"wp:attachment":[{"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/media?parent=2839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/categories?post=2839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lekolin.org\/ku\/wp-json\/wp\/v2\/tags?post=2839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}